All pioneering artwork at first seem to be ugly or even incomprehensible. This is the case with Digital Painting.
The history of Digital Arts dates back to the mid 20th century, yet is still considered to be unnatural, element of deflection or even of entropy. Art has always been under dispute. All new techniques are considered to be “threats”. However, every media can give remarkable results and offer powerful and expressive work of art.
The visual proposal is a product of the mind. The computer is just the tool, which processes the knowledge and encoded thinking through digital media. Instead of a brush, the artist uses a computer mouse, a stylus, etc.
“The medium, the tool or the way of expression in painting is of no importance”, J. Pollock.
Has anyone ever wondered if Seferis, e.g., wrote with a pencil, a pen, or a typewriter?
The creator, even in conventional forms of art, composes their expression, language and writing alone. Artistic personality is formed individually. As if it arises from “disorder”, as if the artist is self-taught. To search is interesting, to find is exciting. Digital Painting is an unbeaten path in a field of test and taste. An amusing artistic model that studies the past, but speaks in the present. The piece of work is shaped with respect to the rules of Painting, through an “algorithm” of a noetic process that blends composite and organized art with conceptual abstraction.
The artwork stimulates the viewer’s spontaneous responses while approaching and suggesting a dynamic aesthetic.